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A Portfolio of 55 Protagonists of Constructed Art
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A Portfolio of 55 Protagonists of Constructed Art

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Authors of the texts

Zoran Kržišnik, Josef Albers, Getulio Alviani, Yaacov Agam, Richard Anuszkiewicz, Jean Arp, Olle Baertling, Mario Ballocco, Henryk Berlewi, Max Bill, Alberto Biasi, Edoardo Landi, Erich Buchholz, Enrico Castellani, Gianni Colombo, Carlos Cruz-Diez, Sonia Delaunay, Milan Dobeš, Piero Dorazio, Lev Valdemar Nusberg, Equipo 57, Lucio Fontana, Karl Gerstner, Jean Gorin, Jerzy Grabowski, Camille Graeser, Toshihiro Hamano, Herman Hebler, Auguste Herbin, André Heurtaux, Drago Hrvacki, Danilo Jejčič, Ellsworth Kelly, Yves Klein, Julije Knifer, Julio Le Parc, Richard Paul Lohse, Peter Lowe, Pavel Mansouroff, Kenneth Martin, Almir Mavignier, François Morellet, Richard Mortensen, Josef Müller-Brockmann, Bruno Munari, Ivan Picelj, Leon Polk-Smith, Vjenceslav Richter, Bridget Riley, Michel Seuphor, Francisco Sobrino, Jesus Soto, Henryk Staźewski, Jeffrey Steele, Joël Stein, Miroslav Šutej, Victor Vasarely, Ryszard Winiarski, Umberto Eco, Lawrence Alloway, Umbro Apollonio, Giulio Carlo Argan et al.

Editor

Breda Škrjanec

Translation

Amidas d.o.o., Ksenija Davidovič, Ravel Kodrič, Smiljana Legradič, Gražyna Maliszewska Blažina, Jasmina Markič, Breda Misja, Ines Perkavac, Neda Prodan, Zdenka Šimonovič, Breda Škrjanec, Laura Ule, Irena Vaupotič

Design

Marco Matricardi

Published by

MGLC and La Società d'Arte SanZanobi (Bologna)

Number of pages

298

Year

1995

Language

Slovene, English, Italian, French, Swedish, German, Spanish, Slovak, Russian, Polish, Norwegian, Croatian, Portuguese, Danish

The catalogue to the accompanying exhibition of the 21st International Biennial of Graphic Arts, A Portfolio of 55 Protagonists of Constructed Art, which was on view at Cankarjev dom and which presented 55 artists from 22 countries were.

The exhibition concept was devised by Getulio Alviani and the show was set up by Maruša Stupica. The exhibition was conceived as the first part of a trilogy with which the organisers wished to initiate theoretical reflection on the graphic arts after the Second World War. It was conceived as a presentation of portfolios of mostly colour prints that the artists produced themselves and in which they presented their artistic credo. The catalogue contains biographical data, a list of exhibited works and accompanying texts by artists as well as some texts by critics.

In a lavish design, all reproductions are in full colour. The poster and the cover of the catalogue were designed by Marco Matricardi.


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